<?xml version="1.0" encoding="iso-8859-1"?>
<?xml-stylesheet href="/tresources/styles/tendenci-rss.xsl" type="text/xsl" media="screen"?>
<rss version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" 
xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
<title>New York Emmy&#174; Awards</title>
<itunes:subtitle>New York Emmy&#174; Awards</itunes:subtitle>
<link>http://www.nyemmys.org/en/rss</link>
<description>New York Emmy&#174; Awards RSS Feed. </description>
<itunes:author>New York Emmy&#174; Awards</itunes:author>
<image>
<url>http://www.nyemmys.org/tresources/en/images/icons/tendenci34x15.gif</url>
<link>http://www.nyemmys.org</link>
<title>New York Emmy&#174; Awards</title></image>
<itunes:image href="http://www.nyemmys.org/tresources/en/images/icons/tendenci34x15.gif" />
<copyright>Copyright 2008 New York Emmy&#174; Awards</copyright>
<generator>Tendenci Association Software by Schipul - The Web Marketing Company</generator>
<language>en-us</language>
<webMaster>noemail@nyemmys.org</webMaster>
<pubDate>Tue, 18 Nov 2008 15:01:50 GMT</pubDate>
		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/246</link>

			<title>The Night They Raided Minsky''s</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/246&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;The Night They Raided Minsky's&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20081211T230000Z&quot;&gt;11-Dec-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20081212T013000Z&quot;&gt;11-Dec-08 8:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: 14pt&quot;&gt;&lt;span style=&quot;color: #800080&quot;&gt;&lt;span style=&quot;color: #800080&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;strong&gt;You are Cordially Invited to&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #800080&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 14pt&quot;&gt;MEET THE FILMMAKER: Andrew Laszlo&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;div style=&quot;font-size: 14pt&quot;&gt;&quot;The Night They Raided Minsky's&quot;&lt;/div&gt;
&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;On Thursday, December 11, 2008, 6:00-8:30 PM&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;At the National Academy of Television Arts and Sciences, New York&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;1375 Broadway (between 37th and 38th Streets), 21st floor, Suite 2103&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;Reception 6:00-6:30 ~&amp;nbsp;Program 6:30-8:00&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Produced &amp;amp; Moderated by Sumner Jules Glimcher&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;*Free to Members!&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;$15 for those without current membership&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;RESERVATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;PLEASE RSVP VIA EMAIL &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;color: #0000ff&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;info@nyemmys.org&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt; or&amp;nbsp;CALL &lt;span style=&quot;color: #0000ff&quot;&gt;212-459-3630, ext. 200&lt;/span&gt;.&lt;/span&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt; color: red; font-family: Georgia&quot;&gt;Program information for this Meet the Filmmaker event will be announced soon&#8212;please stay posted!&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway, between 37th and 38th Streets, 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/246</guid>

			<pubDate>Mon, 17 Nov 2008 20:05:11 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/245</link>

			<title>Play Reading Hosted by Arlene Dahl</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/245&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Play Reading Hosted by Arlene Dahl&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20081208T230000Z&quot;&gt;8-Dec-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20081209T010000Z&quot;&gt;8-Dec-08 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;p style=&quot;margin-bottom: 12pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 18pt; color: purple; font-family: 'Book Antiqua'&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;em&gt;&lt;strong style=&quot;font-family: &quot;&gt;&lt;span style=&quot;font-weight: bold; font-size: 18pt; color: purple; font-family: &quot;&gt;PLAY &lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;font-family: &quot;&gt;&lt;span style=&quot;font-weight: bold; font-size: 18pt; color: purple; font-family: &quot;&gt;READING&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;strong style=&quot;font-family: &quot;&gt;&lt;span style=&quot;font-weight: bold; font-size: 18pt; color: purple; font-family: &quot;&gt;&lt;br style=&quot;font-family: &quot; /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;font-family: &quot;&gt;&lt;span style=&quot;font-weight: bold; font-size: 16pt; color: purple; font-family: &quot;&gt;&lt;em&gt;Hosted By Arlene Dahl&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;div style=&quot;margin-bottom: 12pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 14pt; color: navy; font-family: 'Book Antiqua'&quot;&gt;&lt;span style=&quot;font-size: 10pt; font-family: Georgia&quot;&gt;&lt;strong style=&quot;font-family: &quot;&gt;&lt;span style=&quot;font-weight: bold; font-size: 14pt; color: navy; font-family: &quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 14pt; color: navy; font-family: 'Book Antiqua'&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&#8220;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;The Lost Boy&#8221;&lt;span style=&quot;font-size: 16pt; color: navy; font-family: 'Book Antiqua'&quot;&gt;&lt;br&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; color: navy; font-family: 'Book Antiqua'&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;Written and Directed&amp;nbsp;by Ronald Gabriel Paolillo&lt;br&gt;
(Based in part on &quot;Peter and Wendy&quot; and &quot;Peter Pan of Kensington Gardens&quot; by James M. Barrie)&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/strong&gt;
&lt;p style=&quot;margin-bottom: 12pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 11pt; color: black; font-family: 'Book Antiqua'&quot;&gt;Event coordinated by Louisa Burns Bisogno and&amp;nbsp;Ellen Muir&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 12pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 11pt; color: black; font-family: 'Book Antiqua'&quot;&gt;Date: &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 11pt; color: black; font-family: 'Book Antiqua'&quot;&gt;Monday, December 8, 2008&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 11pt; color: black; font-family: 'Book Antiqua'&quot;&gt;&lt;br&gt;
Time: 5:30 p.m. Reception, &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 11pt; color: black; font-family: 'Book Antiqua'&quot;&gt;6:00 p.m.&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 11pt; color: black; font-family: 'Book Antiqua'&quot;&gt; program&lt;br&gt;
Location: Midtown&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;div style=&quot;font-size: 10pt; margin-bottom: 12pt&quot;&gt;&lt;strong style=&quot;color: #008000; font-family: Georgia&quot;&gt;For location information and reservations (required), please call &lt;span style=&quot;color: #000080&quot;&gt;212-459-3630, ext. 204&lt;/span&gt; before Friday December 5&lt;sup&gt;th&lt;/sup&gt;!&lt;br&gt;
&lt;br&gt;
NO EMAIL RESERVATIONS WILL BE ACCEPTED!&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/245</guid>

			<pubDate>Thu, 13 Nov 2008 15:56:01 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/243</link>

			<title>About James M. Barrie: Mixing Rumour, Fact and Fiction in the Construction of a Play</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/243&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;About James M. Barrie: Mixing Rumour, Fact and Fiction in the Construction of a Play&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20081203T230000Z&quot;&gt;3-Dec-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20081204T003000Z&quot;&gt;3-Dec-08 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Ronald Gabriel Paolillo&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;span style=&quot;font-size: 12pt; color: #000000; font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 14pt&quot;&gt;&lt;span style=&quot;color: #000000; font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000080&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 14pt&quot;&gt;&lt;span style=&quot;color: #000080; font-family: Georgia&quot;&gt;&lt;em&gt;&lt;strong&gt;Ronald Gabriel Paolillo&lt;/strong&gt;&lt;/em&gt; - Performer, Writer, Director&lt;br&gt;
&lt;br&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;TOPIC: &quot;About James M. Barrie: Mixing Rumour, Fact and Fiction in the Construction of a Play.&quot;&lt;br&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
Mr. Paolillo's play &lt;em&gt;The Lost Boy&lt;/em&gt; will be read at the playreading hosted by Arlene Dahl at 6:00 PM on Monday December 8, 2008.&lt;br&gt;
&lt;br&gt;
Seminar produced by Ellen Muir.&lt;/span&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;color: #008000; font-family: Georgia&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;RESERVATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST. PLEASE RSVP VIA EMAIL &lt;/span&gt;&lt;/strong&gt;&lt;a href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt; color: #0000ff; font-family: Georgia&quot;&gt;info@nyemmys.org&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt; or call &lt;span style=&quot;color: #0000ff&quot;&gt;212-459-3630, ext. 204&lt;/span&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/243</guid>

			<pubDate>Fri, 07 Nov 2008 19:57:29 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/242</link>

			<title>Upsizing: Reinventing Yourself and Your Career For the New Digital Economy</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/242&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Upsizing: Reinventing Yourself and Your Career For the New Digital Economy&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20081202T233000Z&quot;&gt;2-Dec-08 6:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20081203T013000Z&quot;&gt;2-Dec-08 8:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Shelly Palmer&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div style=&quot;margin-bottom: 10px&quot;&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;em style=&quot;font-size: 10pt&quot;&gt;NY NATAS in cooperation with Shelly Palmer's Continuing Professional Education Series present:&lt;/em&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong style=&quot;font-size: 14pt&quot;&gt;Upsizing: Reinventing Yourself and Your Career for the New Digital Economy&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #000000&quot;&gt;&lt;br&gt;
&lt;span style=&quot;font-size: 10pt&quot;&gt;A four hour course that will help you make more money, taught by Shelly Palmer&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;WHO SHOULD TAKE THIS COURSE:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;People of all ages who are interested in learning how to make more money in the digital age. If you are thinking of starting your own business, working from home, becoming a consultant or just defending and keeping your job in this new, highly competitive digital world, you should take this course.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;IMPORTANT QUESTIONS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Do you have the digital skills to get a better job?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;What will happen if you are downsized?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Can you compete with digital natives?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Are you ready to get one of the 5 million new jobs in the new economy?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #000000&quot;&gt;&lt;em&gt;Shelly Palmer's seminars are the fastest way to learn:&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;DIGITAL LIFE&amp;nbsp;AND BUSINESS SKILLS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Use Social Networks to build your personal brand.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Partner and network your way to success.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Build a personal business plan.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;SOFTWARE SKILLS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;What applications do you really need to run your personal life and your small business?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Create your own websites, blogs, video blogs and podcasts.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Harness the power of your digital calendar, email and contact management software.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;HARDWARE SKILLS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Mac or PC?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Blackbery or iPhone?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Scanners, printers and more.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;font face=&quot;Arial&quot;&gt;&lt;/font&gt;PREREQUISITES FOR THIS COURSE:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;You should have a basic knowledge of personal computers, email, web-surfing and search. You should own a laptop computer and bring it with you.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;HOURS FOR THE COURSE:&lt;/div&gt;
&lt;div&gt;The course will be taught over two evenings, December 1st and 2nd, from 6:30-8:30 PM&amp;nbsp;at the NY NATAS Office: 1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103, New York, NY.&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;strong style=&quot;color: red&quot;&gt;REGISTRATION&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;color: red&quot;&gt;&lt;strong&gt;:&lt;/strong&gt;
&lt;div&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;Seats are extremely limited. If you cannot attend both evenings, please do not register. You must be a member (in good standing) of NY/NATAS to attend. Admission is free. To confirm your seat, send an email to &lt;/strong&gt;&lt;a style=&quot;color: #0000ff; font-family: Georgia&quot; href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;&lt;strong style=&quot;font-size: 10pt&quot;&gt;info@nyemmys.org&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/242</guid>

			<pubDate>Fri, 07 Nov 2008 14:26:38 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/241</link>

			<title>Upsizing: Reinventing Yourself and Your Career For the New Digital Economy</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/241&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Upsizing: Reinventing Yourself and Your Career For the New Digital Economy&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20081201T233000Z&quot;&gt;1-Dec-08 6:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20081202T013000Z&quot;&gt;1-Dec-08 8:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Shelly Palmer&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;em style=&quot;font-size: 10pt&quot;&gt;NY NATAS in cooperation with Shelly Palmer's Continuing Professional Education Series present:&lt;/em&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;strong style=&quot;font-size: 14pt&quot;&gt;Upsizing: Reinventing Yourself and Your Career for the New Digital Economy&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #000000&quot;&gt;&lt;br&gt;
&lt;span style=&quot;font-size: 10pt&quot;&gt;A four hour course that will help you make more money, taught by Shelly Palmer&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;WHO SHOULD TAKE THIS COURSE:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;People of all ages who are interested in learning how to make more money in the digital age. If you are thinking of starting your own business, working from home, becoming a consultant or just defending and keeping your job in this new, highly competitive digital world, you should take this course.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;IMPORTANT QUESTIONS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Do you have the digital skills to get a better job?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;What will happen if you are downsized?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Can you compete with digital natives?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Are you ready to get one of the 5 million new jobs in the new economy?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #000000&quot;&gt;&lt;em&gt;Shelly Palmer's seminars are the fastest way to learn:&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;DIGITAL LIFE&amp;nbsp;AND BUSINESS SKILLS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Use Social Networks to build your personal brand.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Partner and network your way to success.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Build a personal business plan.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;SOFTWARE SKILLS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;What applications do you really need to run your personal life and your small business?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Create your own websites, blogs, video blogs and podcasts.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Harness the power of your digital calendar, email and contact management software.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;HARDWARE SKILLS:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Mac or PC?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Blackbery or iPhone?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div style=&quot;margin-left: 40px&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;Scanners, printers and more.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;font face=&quot;Arial&quot;&gt;&lt;/font&gt;PREREQUISITES FOR THIS COURSE:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;You should have a basic knowledge of personal computers, email, web-surfing and search. You should own a laptop computer and bring it with you.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;HOURS FOR THE COURSE:&lt;/div&gt;
&lt;div&gt;The course will be taught over two evenings, December 1st and 2nd, from 6:30-8:30 PM&amp;nbsp;at the NY NATAS Office: 1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103, New York, NY.&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;strong style=&quot;color: red&quot;&gt;REGISTRATION&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;color: red&quot;&gt;&lt;strong&gt;:&lt;/strong&gt;
&lt;div&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;Seats are extremely limited. If you cannot attend both evenings, please do not register. You must be a member (in good standing) of NY/NATAS to attend. Admission is free. To confirm your seat, send an email to &lt;/strong&gt;&lt;a style=&quot;color: #0000ff; font-family: Georgia&quot; href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;&lt;strong style=&quot;font-size: 10pt&quot;&gt;info@nyemmys.org&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/241</guid>

			<pubDate>Fri, 07 Nov 2008 14:15:04 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/244</link>

			<title>Launching CNN''s First Comedy Show</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/244&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Launching CNN's First Comedy Show&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20081119T230000Z&quot;&gt;19-Nov-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20081120T003000Z&quot;&gt;19-Nov-08 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Mitch Semel&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;em&gt;&lt;strong style=&quot;font-size: 14pt&quot;&gt;&lt;span style=&quot;color: #000080&quot;&gt;&lt;span style=&quot;color: #000080&quot;&gt;Early Evening Seminar&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-size: 10pt&quot; align=&quot;center&quot;&gt;&lt;span style=&quot;color: #000080&quot;&gt;Wednesday, November 19, 2008&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #000000&quot;&gt;&lt;em&gt;&lt;strong&gt;Mitch Semel&lt;/strong&gt;&lt;/em&gt; - Executive Producer of &quot;D.L. Hughley Breaks the News&quot; on CNN at 10:00 PM on Saturdays and Sundays&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 10pt; color: #000000&quot;&gt;Mr. Semel has worked for thirty years as a senior network executive, producer, and strategist in television (broadcast, cable, and public), radio, broadband and mobile technologies. His experience ranges from corporate boardrooms to television studios across the country. He has overseen network programming and produced prime-time and late-night shows for CBS, NBC, CNN, Nick@Nite, TV Land, PBS, and Comedy Central, and has hosted and produced syndicated radio programs featuring in-depth interviews with prominent politicians, entertainers and international newsmakers.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #000000&quot;&gt;&lt;strong&gt;&lt;em&gt;Topic&lt;/em&gt;&lt;/strong&gt;: &quot;Launching CNN's First Comedy Show.&quot;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-family: Georgia&quot;&gt;&lt;span style=&quot;color: #000000&quot;&gt;&lt;span style=&quot;font-size: 10pt; color: #000000&quot;&gt;Seminar produced by Ellen Muir.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway between 37th and 38th Streets, 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/244</guid>

			<pubDate>Tue, 11 Nov 2008 18:36:39 GMT</pubDate>

		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?21</link>
			<title>A REPORTER'S CONFIDENTIAL SOURCE . . . REVEALED?</title>
			<description>&lt;div class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;span class=&quot;text121&quot;&gt;&lt;span style=&quot;mso-ansi-font-size: 11.0pt; mso-bidi-font-size: 11.0pt&quot;&gt;By Fernando M. Pinguelo, Esq. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;img style=&quot;border-left-color: #ffffff; border-bottom-color: #ffffff; width: 209px; border-top-color: #ffffff; height: 292px; border-right-color: #ffffff&quot; height=&quot;292&quot; alt=&quot;&quot; src=&quot;/attachments/wysiwyg/4/Pinguelo.JPG&quot; width=&quot;209&quot; align=&quot;left&quot; border=&quot;1&quot; /&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt&quot;&gt;&lt;v:shapetype id=&quot;_x0000_t75&quot; stroked=&quot;f&quot; filled=&quot;f&quot; path=&quot;m@4@5l@4@11@9@11@9@5xe&quot; o:preferrelative=&quot;t&quot; o:spt=&quot;75&quot; coordsize=&quot;21600,21600&quot;&gt;&lt;v:stroke joinstyle=&quot;miter&quot;&gt;&lt;/v:stroke&gt;&lt;v:formulas&gt;&lt;v:f eqn=&quot;if lineDrawn pixelLineWidth 0&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @0 1 0&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum 0 0 @1&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @2 1 2&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @3 21600 pixelWidth&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @3 21600 pixelHeight&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @0 0 1&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @6 1 2&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @7 21600 pixelWidth&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @8 21600 0&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @7 21600 pixelHeight&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @10 21600 0&quot;&gt;&lt;/v:f&gt;&lt;/v:formulas&gt;&lt;v:path o:connecttype=&quot;rect&quot; gradientshapeok=&quot;t&quot; o:extrusionok=&quot;f&quot;&gt;&lt;/v:path&gt;&lt;o:lock aspectratio=&quot;t&quot; v:ext=&quot;edit&quot;&gt;&lt;/o:lock&gt;&lt;/v:shapetype&gt;&lt;v:shape id=&quot;_x0000_i1025&quot; style=&quot;width: 0.75pt; height: 0.75pt&quot; alt=&quot;&quot; type=&quot;#_x0000_t75&quot;&gt;&lt;v:imagedata src=&quot;file:///C:\DOCUME~1\Jackie\LOCALS~1\Temp\msohtml1\01\clip_image001.gif&quot; o:href=&quot;http://www.tvspy.com/images/spacer_1x1.gif&quot;&gt;&lt;/v:imagedata&gt;&lt;/v:shape&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The June 2007 sentencing of Lewis &#8220;Scooter&#8221; Libby who was convicted on federal charges of lying and obstructing an investigation into the Bush administration's actions leading into the &lt;st1:country-region w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Iraq&lt;/st1:place&gt;&lt;/st1:country-region&gt; war reminds us of how far reporters will go to protect their sources of information and the consequences of such confidentiality.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;New York Times&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; reporter Judith Miller's life changed dramatically on July 6, 2005 when a federal judge ordered her jailed for her continued refusal to give evidence in a grand jury investigation into the disclosure of the identity of a covert CIA operative.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Miller&#8217;s imprisonment culminated from a series of events that began with President George W. Bush&#8217;s &lt;st1:date w:st=&quot;on&quot; year=&quot;2003&quot; day=&quot;28&quot; month=&quot;1&quot;&gt;January 28, 2003&lt;/st1:date&gt;, State of the Union address wherein it was revealed that British intelligence had learned that Saddam Hussein sought significant quantities of uranium from &lt;st1:place w:st=&quot;on&quot;&gt;Africa&lt;/st1:place&gt;.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;The President&#8217;s statement, given at a time when an Iraqi invasion was looming, stirred public controversy.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;The most damaging report calling into question the accuracy of the President&#8217;s statement occurred on &lt;st1:date w:st=&quot;on&quot; year=&quot;2003&quot; day=&quot;6&quot; month=&quot;7&quot;&gt;July 6, 2003&lt;/st1:date&gt;, when former Ambassador Joseph Wilson&#8217;s op-ed piece in the&lt;em&gt; New York Times &lt;/em&gt;&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&lt;/span&gt;disclosed that his investigation found no credible evidence that &lt;st1:country-region w:st=&quot;on&quot;&gt;Iraq&lt;/st1:country-region&gt; had been seeking to purchase uranium from &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:country-region w:st=&quot;on&quot;&gt;Niger&lt;/st1:country-region&gt;&lt;/st1:place&gt;.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;A few days later, columnist Robert Novak&#8217;s &lt;em&gt;Chicago Sun-Times&lt;/em&gt; column revealed that two senior administration officials disclosed the circumstances surrounding &lt;st1:city w:st=&quot;on&quot;&gt;Wilson&lt;/st1:city&gt;&#8217;s 2002 investigation and the role &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Wilson&lt;/st1:city&gt;&lt;/st1:place&gt;&#8217;s wife, Valerie Plame, played in the assignment.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Novak referred to Plame as a CIA &#8220;operative on weapons of mass destruction.&#8221;&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Thereafter, other media reports followed and reiterated Plame&#8217;s status in the CIA.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;By December 2003, an investigation ensued and a special prosecutor was appointed to determine whether government officials unlawfully disclosed the identity of a covert agent.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Grand jury subpoenas were served upon several reporters, including Miller.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Although &lt;/span&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; font-family: Arial; mso-ansi-language: EN&quot;&gt;Miller did not write about Plame, she was reportedly in possession of evidence relevant to the investigation.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Initially, the reporters refused to reveal their sources primarily on the grounds of First Amendment and federal common law privileges protecting communications from confidential sources.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;However, after a district court judge rejected the reporters&#8217; arguments, all but one lone reporter &#8211;Miller &#8211; ended their fight and succumbed to the rule of law.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Miller &#8211; who spent 85 days in jail &#8211; was eventually released after &lt;/span&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; font-family: Arial; mso-ansi-language: EN&quot;&gt;speaking with &lt;a title=&quot;Lewis libby&quot; href=&quot;http://en.wikipedia.org/wiki/Lewis_Libby&quot;&gt;&lt;span style=&quot;color: windowtext; text-decoration: none; text-underline: none&quot;&gt;Lewis Libby&lt;/span&gt;&lt;/a&gt; who reaffirmed an earlier release of confidentiality that he had given her.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; font-family: Arial; mso-ansi-language: EN&quot;&gt;Miller &lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;paid the ultimate price for her silence &#8211; imprisonment.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Her case presents two fundamental questions: (1) Under what circumstances can a reporter legally withhold the identity of a source? (2) Are reporters under an ethical obligation to explain to their sources that they may not be able to protect the information or their identity in certain circumstances? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Reporters can generally safeguard their sources' anonymity without fear of compelled disclosure. However, once litigation is instituted, especially in the criminal context, the rules change.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Here's some information reporters need to know to protect not only their confidential news sources, but also their personal reputations. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Competing Interests&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;For Confidentiality:&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;br&gt;
From a reporter's perspective, confidential sources often provide access to crucial information necessary for the exposure of illegalities and other corruption in society. One need only glance back to the Watergate scandal, a story that has been in the forefront of media coverage again because of the revelation of the identity of &#8220;Deep Throat,&#8221; to appreciate these benefits. Protection against disclosure helps assure that knowledgeable yet reluctant sources of sensitive information will come forward and provide information to reporters without fear of retaliation or embarrassment. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;For Disclosure:&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;br&gt;
From a legal public policy perspective, a source's identity can be of critical importance to a criminal investigation, especially at the grand jury stage, where prosecutors investigate whether a serious crime has been committed (as is the case in Miller&#8217;s situation).&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Or, from a criminal defense perspective, defendants have a right to confront their accusers.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Revelation of a source's identity also plays an important role in civil cases, in particular defamation lawsuits alleging the publication of false information. For public figures, a source&#8217;s identity may be even more critical to their defamation cases because of their heightened burden to not only prove falsity, but also malice.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The Foundation of Reporter's &#8220;Privilege&#8221;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The U.S. Supreme Court addressed the issue of a reporter's &quot;privilege&quot; in 1972. In &lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;Branzburg v. Hayes&lt;/em&gt;, the Court held that the First Amendment did not give journalists the right to refuse to testify in a grand jury proceeding. With facts similar to the ones implicated in Miller&#8217;s case, the Supreme Court made it clear that it would not accept the premise that &#8220;the public interest in possible future news about crime from undisclosed, unverified sources must take precedence over the public interest in pursuing and prosecuting those crimes reported to the press by informants and thus deterring the commission of such crimes in the future.&#8221; However, the Supreme Court did acknowledge that newsgathering is not without protection and left it to the states and the federal courts to decide when newsgathering interests could reasonably support the reporter's claim of privilege. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Despite repeated attempts, Congress has not enacted a law recognizing the reporter's privilege to date.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;However, the Senate Judiciary Committee has conducted hearings on the issue of proposed legislation that would afford some protection to journalists. While enactment of such a law is far from guaranteed, public outcry has again brought the issue to the forefront of debate. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Notwithstanding limited federal protection, most state courts have recognized the existence of a qualified privilege in both the civil and criminal contexts. In fact, more than thirty states have gone so far as to enact &quot;Shield Laws,&quot; recognizing the important protection required by reporters. Each state&#8217;s protections vary, with some states protecting only the &quot;source,&quot; while others afford protection to both the source and the unpublished information. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The Balancing &quot;Test&quot; &lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;In states where the reporter&#8217;s privilege is recognized, the privilege is usually not absolute, and various competing interests will be balanced when a court considers a reporter&#8217;s refusal to reveal the identity of his or her source. To tip the scale in favor of disclosure, this balance often includes a showing that: (1) the information is unavailable and cannot be obtained elsewhere; (2) the information is not cumulative and is &quot;of central importance&quot; to the case; and (3) the need for the information weighs in favor of disclosure. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Be Sure to Assert It and Don't Waive It!&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;When faced with a subpoena compelling disclosure, a reporter cannot simply turn a blind eye or refuse to cooperate. A few procedures must be followed to validly assert the privilege. They include (1) responding to the request and immediately invoking the privilege; (2) asserting that the information was revealed in confidence; and (3) asserting that the confidentiality is essential to the satisfactory maintenance of the relationship between the parties. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;In addition, it is crucial that a reporter not inadvertently waive the privilege. Waiver occurs when the reporter voluntarily discloses the information or acts in a way contrary to the purposes of the privilege. Waivers most frequently occur when reporters commence lawsuits alleging damage to their ability to use sources, or when reporters unwittingly use third parties as vehicles of communication with their sources. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Don't Make Promises You Can't (or Won't) Keep&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;According to the Journalism Statement of Principles: &quot;Pledges of confidentiality to news sources must be honored at all costs, and therefore should not be given lightly.&quot; This principle reflects the ethical or moral obligation reporters often feel to protect certain information or a source's identity irrespective of the law. However, as we saw with Miller, pledges of confidentiality cannot always &lt;u&gt;legally&lt;/u&gt; be honored. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Given the highly sensitive nature of the information, the reporter has an ethical obligation to explain the nature and consequences of the privilege to a source at the outset. In doing so, reporters are encouraged and well-advised to make any promises of confidentiality sparingly because a reporter's interest in protecting the identity of the source may, in fact, yield to the public interest in disclosure. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Remember, it's &lt;u&gt;your&lt;/u&gt; reputation that's on the line. Knowing the parameters and pitfalls of the privilege can help you make the right call in any given situation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;This article is written to provide readers with a very general overview of the reporter's privilege. The information contained herein should not be construed as providing legal advice and should not be relied on for that purpose. If you have specific legal questions, the author suggests seeking the advice of a qualified attorney.&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;br&gt;
&lt;v:shape id=&quot;_x0000_i1026&quot; style=&quot;width: 0.75pt; height: 0.75pt&quot; alt=&quot;&quot; type=&quot;#_x0000_t75&quot;&gt;&lt;v:imagedata src=&quot;file:///C:\DOCUME~1\Jackie\LOCALS~1\Temp\msohtml1\01\clip_image001.gif&quot; o:href=&quot;http://www.tvspy.com/images/spacer_1x1.gif&quot;&gt;&lt;/v:imagedata&gt;&lt;/v:shape&gt;&lt;br&gt;
&lt;strong&gt;About the Author&lt;/strong&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normalweb&quot;&gt;&lt;span style=&quot;font-size: 11pt; font-family: Arial&quot;&gt;Fernando M. Pinguelo is a trial lawyer licensed to practice law in &lt;st1:city w:st=&quot;on&quot;&gt;New York&lt;/st1:city&gt;, &lt;st1:state w:st=&quot;on&quot;&gt;New Jersey&lt;/st1:state&gt; and &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Washington&lt;/st1:city&gt;, &lt;st1:state w:st=&quot;on&quot;&gt;D.C.&lt;/st1:state&gt;&lt;/st1:place&gt; He focuses his practice in the broadcasting sector, building off his ties to Emmy Award-winning clients. He also serves as a regular article contributor for the National Association of Television Arts and Sciences (New York Chapter), TVSpy, &lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;Next Generation TV&lt;/em&gt;, and &lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;Shop Talk&lt;/em&gt;.&lt;em&gt; &lt;/em&gt;Fernando has published several articles and lectures on a variety of topics including copyright, contracts, entertainment, employment law, and information technology.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;He has appeared on television several times&amp;nbsp;as a legal commentator on various high-profile trials, and has been quoted in many newspapers and magazines, and on radio and television broadcasts regarding high-impact cases&lt;strong&gt; &lt;/strong&gt;he has handled.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normalweb&quot;&gt;&lt;span style=&quot;font-size: 11pt; font-family: Arial&quot;&gt;Fernando welcomes questions and/or feedback on any related issues and can be reached either by phone, (908) 722-0700, or via email, &lt;a href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#102;&amp;#109;&amp;#112;&amp;#64;&amp;#110;&amp;#109;&amp;#109;&amp;#108;&amp;#97;&amp;#119;&amp;#46;&amp;#99;&amp;#111;&amp;#109;&quot;&gt;fmp@nmmlaw.com&lt;/a&gt;.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;He invites you to visit his website to learn more about similar topics: &lt;a href=&quot;http://www.nmmlaw.com/attorneys/fmp.html&quot;&gt;http://www.nmmlaw.com/attorneys/fmp.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
 
&lt;br&gt;&lt;br&gt;23-Jul-07 5:00 PM
</description>
			<itunes:subtitle>A REPORTER'S CONFIDENTIAL SOURCE . . . REVEALED?</itunes:subtitle>
			<itunes:summary>&lt;div class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;span class=&quot;text121&quot;&gt;&lt;span style=&quot;mso-ansi-font-size: 11.0pt; mso-bidi-font-size: 11.0pt&quot;&gt;By Fernando M. Pinguelo, Esq. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;img style=&quot;border-left-color: #ffffff; border-bottom-color: #ffffff; width: 209px; border-top-color: #ffffff; height: 292px; border-right-color: #ffffff&quot; height=&quot;292&quot; alt=&quot;&quot; src=&quot;/attachments/wysiwyg/4/Pinguelo.JPG&quot; width=&quot;209&quot; align=&quot;left&quot; border=&quot;1&quot; /&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt&quot;&gt;&lt;v:shapetype id=&quot;_x0000_t75&quot; stroked=&quot;f&quot; filled=&quot;f&quot; path=&quot;m@4@5l@4@11@9@11@9@5xe&quot; o:preferrelative=&quot;t&quot; o:spt=&quot;75&quot; coordsize=&quot;21600,21600&quot;&gt;&lt;v:stroke joinstyle=&quot;miter&quot;&gt;&lt;/v:stroke&gt;&lt;v:formulas&gt;&lt;v:f eqn=&quot;if lineDrawn pixelLineWidth 0&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @0 1 0&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum 0 0 @1&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @2 1 2&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @3 21600 pixelWidth&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @3 21600 pixelHeight&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @0 0 1&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @6 1 2&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @7 21600 pixelWidth&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @8 21600 0&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;prod @7 21600 pixelHeight&quot;&gt;&lt;/v:f&gt;&lt;v:f eqn=&quot;sum @10 21600 0&quot;&gt;&lt;/v:f&gt;&lt;/v:formulas&gt;&lt;v:path o:connecttype=&quot;rect&quot; gradientshapeok=&quot;t&quot; o:extrusionok=&quot;f&quot;&gt;&lt;/v:path&gt;&lt;o:lock aspectratio=&quot;t&quot; v:ext=&quot;edit&quot;&gt;&lt;/o:lock&gt;&lt;/v:shapetype&gt;&lt;v:shape id=&quot;_x0000_i1025&quot; style=&quot;width: 0.75pt; height: 0.75pt&quot; alt=&quot;&quot; type=&quot;#_x0000_t75&quot;&gt;&lt;v:imagedata src=&quot;file:///C:\DOCUME~1\Jackie\LOCALS~1\Temp\msohtml1\01\clip_image001.gif&quot; o:href=&quot;http://www.tvspy.com/images/spacer_1x1.gif&quot;&gt;&lt;/v:imagedata&gt;&lt;/v:shape&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The June 2007 sentencing of Lewis &#8220;Scooter&#8221; Libby who was convicted on federal charges of lying and obstructing an investigation into the Bush administration's actions leading into the &lt;st1:country-region w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Iraq&lt;/st1:place&gt;&lt;/st1:country-region&gt; war reminds us of how far reporters will go to protect their sources of information and the consequences of such confidentiality.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;New York Times&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; reporter Judith Miller's life changed dramatically on July 6, 2005 when a federal judge ordered her jailed for her continued refusal to give evidence in a grand jury investigation into the disclosure of the identity of a covert CIA operative.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Miller&#8217;s imprisonment culminated from a series of events that began with President George W. Bush&#8217;s &lt;st1:date w:st=&quot;on&quot; year=&quot;2003&quot; day=&quot;28&quot; month=&quot;1&quot;&gt;January 28, 2003&lt;/st1:date&gt;, State of the Union address wherein it was revealed that British intelligence had learned that Saddam Hussein sought significant quantities of uranium from &lt;st1:place w:st=&quot;on&quot;&gt;Africa&lt;/st1:place&gt;.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;The President&#8217;s statement, given at a time when an Iraqi invasion was looming, stirred public controversy.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;The most damaging report calling into question the accuracy of the President&#8217;s statement occurred on &lt;st1:date w:st=&quot;on&quot; year=&quot;2003&quot; day=&quot;6&quot; month=&quot;7&quot;&gt;July 6, 2003&lt;/st1:date&gt;, when former Ambassador Joseph Wilson&#8217;s op-ed piece in the&lt;em&gt; New York Times &lt;/em&gt;&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&lt;/span&gt;disclosed that his investigation found no credible evidence that &lt;st1:country-region w:st=&quot;on&quot;&gt;Iraq&lt;/st1:country-region&gt; had been seeking to purchase uranium from &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:country-region w:st=&quot;on&quot;&gt;Niger&lt;/st1:country-region&gt;&lt;/st1:place&gt;.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;A few days later, columnist Robert Novak&#8217;s &lt;em&gt;Chicago Sun-Times&lt;/em&gt; column revealed that two senior administration officials disclosed the circumstances surrounding &lt;st1:city w:st=&quot;on&quot;&gt;Wilson&lt;/st1:city&gt;&#8217;s 2002 investigation and the role &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Wilson&lt;/st1:city&gt;&lt;/st1:place&gt;&#8217;s wife, Valerie Plame, played in the assignment.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Novak referred to Plame as a CIA &#8220;operative on weapons of mass destruction.&#8221;&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Thereafter, other media reports followed and reiterated Plame&#8217;s status in the CIA.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;By December 2003, an investigation ensued and a special prosecutor was appointed to determine whether government officials unlawfully disclosed the identity of a covert agent.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Grand jury subpoenas were served upon several reporters, including Miller.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Although &lt;/span&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; font-family: Arial; mso-ansi-language: EN&quot;&gt;Miller did not write about Plame, she was reportedly in possession of evidence relevant to the investigation.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Initially, the reporters refused to reveal their sources primarily on the grounds of First Amendment and federal common law privileges protecting communications from confidential sources.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;However, after a district court judge rejected the reporters&#8217; arguments, all but one lone reporter &#8211;Miller &#8211; ended their fight and succumbed to the rule of law.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Miller &#8211; who spent 85 days in jail &#8211; was eventually released after &lt;/span&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; font-family: Arial; mso-ansi-language: EN&quot;&gt;speaking with &lt;a title=&quot;Lewis libby&quot; href=&quot;http://en.wikipedia.org/wiki/Lewis_Libby&quot;&gt;&lt;span style=&quot;color: windowtext; text-decoration: none; text-underline: none&quot;&gt;Lewis Libby&lt;/span&gt;&lt;/a&gt; who reaffirmed an earlier release of confidentiality that he had given her.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; font-family: Arial; mso-ansi-language: EN&quot;&gt;Miller &lt;/span&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;paid the ultimate price for her silence &#8211; imprisonment.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Her case presents two fundamental questions: (1) Under what circumstances can a reporter legally withhold the identity of a source? (2) Are reporters under an ethical obligation to explain to their sources that they may not be able to protect the information or their identity in certain circumstances? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Reporters can generally safeguard their sources' anonymity without fear of compelled disclosure. However, once litigation is instituted, especially in the criminal context, the rules change.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Here's some information reporters need to know to protect not only their confidential news sources, but also their personal reputations. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Competing Interests&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;For Confidentiality:&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;br&gt;
From a reporter's perspective, confidential sources often provide access to crucial information necessary for the exposure of illegalities and other corruption in society. One need only glance back to the Watergate scandal, a story that has been in the forefront of media coverage again because of the revelation of the identity of &#8220;Deep Throat,&#8221; to appreciate these benefits. Protection against disclosure helps assure that knowledgeable yet reluctant sources of sensitive information will come forward and provide information to reporters without fear of retaliation or embarrassment. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;For Disclosure:&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;br&gt;
From a legal public policy perspective, a source's identity can be of critical importance to a criminal investigation, especially at the grand jury stage, where prosecutors investigate whether a serious crime has been committed (as is the case in Miller&#8217;s situation).&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Or, from a criminal defense perspective, defendants have a right to confront their accusers.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Revelation of a source's identity also plays an important role in civil cases, in particular defamation lawsuits alleging the publication of false information. For public figures, a source&#8217;s identity may be even more critical to their defamation cases because of their heightened burden to not only prove falsity, but also malice.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The Foundation of Reporter's &#8220;Privilege&#8221;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The U.S. Supreme Court addressed the issue of a reporter's &quot;privilege&quot; in 1972. In &lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;Branzburg v. Hayes&lt;/em&gt;, the Court held that the First Amendment did not give journalists the right to refuse to testify in a grand jury proceeding. With facts similar to the ones implicated in Miller&#8217;s case, the Supreme Court made it clear that it would not accept the premise that &#8220;the public interest in possible future news about crime from undisclosed, unverified sources must take precedence over the public interest in pursuing and prosecuting those crimes reported to the press by informants and thus deterring the commission of such crimes in the future.&#8221; However, the Supreme Court did acknowledge that newsgathering is not without protection and left it to the states and the federal courts to decide when newsgathering interests could reasonably support the reporter's claim of privilege. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Despite repeated attempts, Congress has not enacted a law recognizing the reporter's privilege to date.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;However, the Senate Judiciary Committee has conducted hearings on the issue of proposed legislation that would afford some protection to journalists. While enactment of such a law is far from guaranteed, public outcry has again brought the issue to the forefront of debate. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Notwithstanding limited federal protection, most state courts have recognized the existence of a qualified privilege in both the civil and criminal contexts. In fact, more than thirty states have gone so far as to enact &quot;Shield Laws,&quot; recognizing the important protection required by reporters. Each state&#8217;s protections vary, with some states protecting only the &quot;source,&quot; while others afford protection to both the source and the unpublished information. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;The Balancing &quot;Test&quot; &lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;In states where the reporter&#8217;s privilege is recognized, the privilege is usually not absolute, and various competing interests will be balanced when a court considers a reporter&#8217;s refusal to reveal the identity of his or her source. To tip the scale in favor of disclosure, this balance often includes a showing that: (1) the information is unavailable and cannot be obtained elsewhere; (2) the information is not cumulative and is &quot;of central importance&quot; to the case; and (3) the need for the information weighs in favor of disclosure. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Be Sure to Assert It and Don't Waive It!&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;When faced with a subpoena compelling disclosure, a reporter cannot simply turn a blind eye or refuse to cooperate. A few procedures must be followed to validly assert the privilege. They include (1) responding to the request and immediately invoking the privilege; (2) asserting that the information was revealed in confidence; and (3) asserting that the confidentiality is essential to the satisfactory maintenance of the relationship between the parties. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;In addition, it is crucial that a reporter not inadvertently waive the privilege. Waiver occurs when the reporter voluntarily discloses the information or acts in a way contrary to the purposes of the privilege. Waivers most frequently occur when reporters commence lawsuits alleging damage to their ability to use sources, or when reporters unwittingly use third parties as vehicles of communication with their sources. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Don't Make Promises You Can't (or Won't) Keep&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;According to the Journalism Statement of Principles: &quot;Pledges of confidentiality to news sources must be honored at all costs, and therefore should not be given lightly.&quot; This principle reflects the ethical or moral obligation reporters often feel to protect certain information or a source's identity irrespective of the law. However, as we saw with Miller, pledges of confidentiality cannot always &lt;u&gt;legally&lt;/u&gt; be honored. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Given the highly sensitive nature of the information, the reporter has an ethical obligation to explain the nature and consequences of the privilege to a source at the outset. In doing so, reporters are encouraged and well-advised to make any promises of confidentiality sparingly because a reporter's interest in protecting the identity of the source may, in fact, yield to the public interest in disclosure. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;Remember, it's &lt;u&gt;your&lt;/u&gt; reputation that's on the line. Knowing the parameters and pitfalls of the privilege can help you make the right call in any given situation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt;This article is written to provide readers with a very general overview of the reporter's privilege. The information contained herein should not be construed as providing legal advice and should not be relied on for that purpose. If you have specific legal questions, the author suggests seeking the advice of a qualified attorney.&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 11pt; color: black; font-family: Arial&quot;&gt; &lt;br&gt;
&lt;v:shape id=&quot;_x0000_i1026&quot; style=&quot;width: 0.75pt; height: 0.75pt&quot; alt=&quot;&quot; type=&quot;#_x0000_t75&quot;&gt;&lt;v:imagedata src=&quot;file:///C:\DOCUME~1\Jackie\LOCALS~1\Temp\msohtml1\01\clip_image001.gif&quot; o:href=&quot;http://www.tvspy.com/images/spacer_1x1.gif&quot;&gt;&lt;/v:imagedata&gt;&lt;/v:shape&gt;&lt;br&gt;
&lt;strong&gt;About the Author&lt;/strong&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normalweb&quot;&gt;&lt;span style=&quot;font-size: 11pt; font-family: Arial&quot;&gt;Fernando M. Pinguelo is a trial lawyer licensed to practice law in &lt;st1:city w:st=&quot;on&quot;&gt;New York&lt;/st1:city&gt;, &lt;st1:state w:st=&quot;on&quot;&gt;New Jersey&lt;/st1:state&gt; and &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Washington&lt;/st1:city&gt;, &lt;st1:state w:st=&quot;on&quot;&gt;D.C.&lt;/st1:state&gt;&lt;/st1:place&gt; He focuses his practice in the broadcasting sector, building off his ties to Emmy Award-winning clients. He also serves as a regular article contributor for the National Association of Television Arts and Sciences (New York Chapter), TVSpy, &lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;Next Generation TV&lt;/em&gt;, and &lt;em style=&quot;mso-bidi-font-style: normal&quot;&gt;Shop Talk&lt;/em&gt;.&lt;em&gt; &lt;/em&gt;Fernando has published several articles and lectures on a variety of topics including copyright, contracts, entertainment, employment law, and information technology.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;He has appeared on television several times&amp;nbsp;as a legal commentator on various high-profile trials, and has been quoted in many newspapers and magazines, and on radio and television broadcasts regarding high-impact cases&lt;strong&gt; &lt;/strong&gt;he has handled.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normalweb&quot;&gt;&lt;span style=&quot;font-size: 11pt; font-family: Arial&quot;&gt;Fernando welcomes questions and/or feedback on any related issues and can be reached either by phone, (908) 722-0700, or via email, &lt;a href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#102;&amp;#109;&amp;#112;&amp;#64;&amp;#110;&amp;#109;&amp;#109;&amp;#108;&amp;#97;&amp;#119;&amp;#46;&amp;#99;&amp;#111;&amp;#109;&quot;&gt;fmp@nmmlaw.com&lt;/a&gt;.&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;He invites you to visit his website to learn more about similar topics: &lt;a href=&quot;http://www.nmmlaw.com/attorneys/fmp.html&quot;&gt;http://www.nmmlaw.com/attorneys/fmp.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;
</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?21</guid>
			<pubDate>Mon, 23 Jul 2007 22:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?19</link>
			<title>Gootopia - Living in a Targeted Society</title>
			<description>&lt;p&gt;Alethea Hokum sat quietly, barely breathing. Her glazed eyes showed
a faint reflection of the video monitor that had lulled her into
semi-consciousness. Startled and just a bit confused, she reached down
to silence her vibrating PDA. But something caught her eye. It was a
text message offering her an additional 15 percent off if she would
like her carpets cleaned this week. Of course the text message was just
a few seconds out of sync with the sponsorship message she had just
seen, but Alethea knew the offer was especially for her. It was an
offer she couldn&amp;#8217;t refuse.&lt;/p&gt;
&lt;p&gt;She hit the pause button on her television, answered the text
message with a simple &quot;y&quot; and pressed send. Two clicks on her remote to
get back to the part of the show she missed and less than a minute
later, Alethea Hokum returned to her blissful world of personalized,
highly relevant media.&lt;/p&gt;
&lt;p&gt;Across town, Verity Bunker, a stay-at-home mother of two, was taking
a much-needed retail therapy break. As she approached a digital sign at
the mall, the message changed to show a woman, with a physique quite
similar to her own, in a remarkably familiar setting. Verity could not
put her finger on it, but she knew that she had to visit this
particular store on this particular trip &amp;#8212; what was it about that sign?&lt;/p&gt;
&lt;p&gt;Welcome to Gootopia &amp;#8212; a place where everything you do, everything
you interact with, every behavior you exhibit is analyzed, synthesized
and optimized to reflect a world that is most relevant to you. In this
targeted society, advertisers and marketers know absolutely everything
they could ever want to know about everyone. What they like, whom they
like, where they like to go and even more importantly, what everyone
doesn&amp;#8217;t like. Gootopia may sound like a marketer&amp;#8217;s paradise, but it is
perdition for almost everyone else.&lt;/p&gt;
&lt;p&gt;Would you like to see one of the landmarks you must pass on the road
to Gootopia? Visit http://www.google.com/history where you can view and
manage your web activity, get the search results most relevant to you
and follow interesting trends in your web activity.&lt;/p&gt;
&lt;p&gt;What?? Yes, you read it right. Just let Google completely analyze
your time online and they will reward you with some personal management
tools. What else will they do with the information?&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m not Dr. Phil, but this sounds like a &quot;how to&quot; manual for
destroying even the best of relationships. &quot;Hi honey, here&amp;#8217;s a complete
log of every website I&amp;#8217;ve visited in the last 30 days and how much time
I&amp;#8217;ve spent on them&amp;#8230; let me see yours.&quot; Do you know a couple anywhere on
this planet whose relationship could survive that information exchange?&lt;/p&gt;
&lt;p&gt;Forgetting the privacy issues (formidable as they are), let&amp;#8217;s ask a
few business questions about the value of hyper-targeted media. Is it
really valuable? Certainly not on an individual basis.&lt;/p&gt;
&lt;p&gt;Statisticians will tell you that, with the appropriate sample size
and mathematical tools, it is relatively easy to predict what a
population will do. However, it is absolutely impossible to predict
what any individual will do. As you well know, when it comes to your
personal decisions, past performance is rarely an indicator of future
performance. So, we can predict that tonight in Manhattan, 5,437
dinners will be served at restaurants that feature Mexican food, but we
can&amp;#8217;t predict who will eat them.&lt;/p&gt;
&lt;p&gt;Even if you could predict, with a reasonable margin of accuracy, who
would frequent these culinary establishments this evening, would it
help you market to them? What would you do differently? Would your
advanced knowledge of this particular behavior enable you to extract a
greater share of wallet from this hyper-targeted audience? Probably not.&lt;/p&gt;
&lt;p&gt;It is pretty reasonable to assume that people who walk into Mexican
restaurants are looking forward to eating Mexican food. Knowing who is
on their way won&amp;#8217;t change much about the experience they have inside.&lt;/p&gt;
&lt;p&gt;Now, is there some information we could aggregate and analyze that
would allow us to put an idea into someone&amp;#8217;s head that today would be a
great day to have a Mexican dinner? Couldn&amp;#8217;t hyper-targeted marketing
help us do that?&lt;/p&gt;
&lt;p&gt;Absolutely! Right up until the target&amp;#8217;s social network helps them decide otherwise. It happens all the time.&lt;/p&gt;
&lt;p&gt;Later that day, Alethea and Verity meet-up with two of their friends
at the Tennis Club. Verity says, &quot;&amp;#8230; you know, I&amp;#8217;ve been thinking about
Mexican food all day. Anyone want to join me?&quot; Three of the four women
agree but Alethea says, &quot;That sounds fine, but you know what? The best
Chinese restaurant in town is just a block away from here. Why don&amp;#8217;t we
go there?&quot;&lt;/p&gt;
&lt;p&gt;So much for all of the day&amp;#8217;s hyper-targeted Mexican food marketing
dollars, or &amp;#8212; was it the fact that the Chinese food trade federation
outspent them and got Alethea, the thought leader, to influence the
group. Wow! Gootopia is going to be a strange place to live.&lt;/p&gt; 
&lt;br&gt;&lt;br&gt;31-May-07 4:00 PM
</description>
			<itunes:subtitle>Gootopia - Living in a Targeted Society</itunes:subtitle>
			<itunes:summary>&lt;p&gt;Alethea Hokum sat quietly, barely breathing. Her glazed eyes showed
a faint reflection of the video monitor that had lulled her into
semi-consciousness. Startled and just a bit confused, she reached down
to silence her vibrating PDA. But something caught her eye. It was a
text message offering her an additional 15 percent off if she would
like her carpets cleaned this week. Of course the text message was just
a few seconds out of sync with the sponsorship message she had just
seen, but Alethea knew the offer was especially for her. It was an
offer she couldn&amp;#8217;t refuse.&lt;/p&gt;
&lt;p&gt;She hit the pause button on her television, answered the text
message with a simple &quot;y&quot; and pressed send. Two clicks on her remote to
get back to the part of the show she missed and less than a minute
later, Alethea Hokum returned to her blissful world of personalized,
highly relevant media.&lt;/p&gt;
&lt;p&gt;Across town, Verity Bunker, a stay-at-home mother of two, was taking
a much-needed retail therapy break. As she approached a digital sign at
the mall, the message changed to show a woman, with a physique quite
similar to her own, in a remarkably familiar setting. Verity could not
put her finger on it, but she knew that she had to visit this
particular store on this particular trip &amp;#8212; what was it about that sign?&lt;/p&gt;
&lt;p&gt;Welcome to Gootopia &amp;#8212; a place where everything you do, everything
you interact with, every behavior you exhibit is analyzed, synthesized
and optimized to reflect a world that is most relevant to you. In this
targeted society, advertisers and marketers know absolutely everything
they could ever want to know about everyone. What they like, whom they
like, where they like to go and even more importantly, what everyone
doesn&amp;#8217;t like. Gootopia may sound like a marketer&amp;#8217;s paradise, but it is
perdition for almost everyone else.&lt;/p&gt;
&lt;p&gt;Would you like to see one of the landmarks you must pass on the road
to Gootopia? Visit http://www.google.com/history where you can view and
manage your web activity, get the search results most relevant to you
and follow interesting trends in your web activity.&lt;/p&gt;
&lt;p&gt;What?? Yes, you read it right. Just let Google completely analyze
your time online and they will reward you with some personal management
tools. What else will they do with the information?&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m not Dr. Phil, but this sounds like a &quot;how to&quot; manual for
destroying even the best of relationships. &quot;Hi honey, here&amp;#8217;s a complete
log of every website I&amp;#8217;ve visited in the last 30 days and how much time
I&amp;#8217;ve spent on them&amp;#8230; let me see yours.&quot; Do you know a couple anywhere on
this planet whose relationship could survive that information exchange?&lt;/p&gt;
&lt;p&gt;Forgetting the privacy issues (formidable as they are), let&amp;#8217;s ask a
few business questions about the value of hyper-targeted media. Is it
really valuable? Certainly not on an individual basis.&lt;/p&gt;
&lt;p&gt;Statisticians will tell you that, with the appropriate sample size
and mathematical tools, it is relatively easy to predict what a
population will do. However, it is absolutely impossible to predict
what any individual will do. As you well know, when it comes to your
personal decisions, past performance is rarely an indicator of future
performance. So, we can predict that tonight in Manhattan, 5,437
dinners will be served at restaurants that feature Mexican food, but we
can&amp;#8217;t predict who will eat them.&lt;/p&gt;
&lt;p&gt;Even if you could predict, with a reasonable margin of accuracy, who
would frequent these culinary establishments this evening, would it
help you market to them? What would you do differently? Would your
advanced knowledge of this particular behavior enable you to extract a
greater share of wallet from this hyper-targeted audience? Probably not.&lt;/p&gt;
&lt;p&gt;It is pretty reasonable to assume that people who walk into Mexican
restaurants are looking forward to eating Mexican food. Knowing who is
on their way won&amp;#8217;t change much about the experience they have inside.&lt;/p&gt;
&lt;p&gt;Now, is there some information we could aggregate and analyze that
would allow us to put an idea into someone&amp;#8217;s head that today would be a
great day to have a Mexican dinner? Couldn&amp;#8217;t hyper-targeted marketing
help us do that?&lt;/p&gt;
&lt;p&gt;Absolutely! Right up until the target&amp;#8217;s social network helps them decide otherwise. It happens all the time.&lt;/p&gt;
&lt;p&gt;Later that day, Alethea and Verity meet-up with two of their friends
at the Tennis Club. Verity says, &quot;&amp;#8230; you know, I&amp;#8217;ve been thinking about
Mexican food all day. Anyone want to join me?&quot; Three of the four women
agree but Alethea says, &quot;That sounds fine, but you know what? The best
Chinese restaurant in town is just a block away from here. Why don&amp;#8217;t we
go there?&quot;&lt;/p&gt;
&lt;p&gt;So much for all of the day&amp;#8217;s hyper-targeted Mexican food marketing
dollars, or &amp;#8212; was it the fact that the Chinese food trade federation
outspent them and got Alethea, the thought leader, to influence the
group. Wow! Gootopia is going to be a strange place to live.&lt;/p&gt;</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?19</guid>
			<author>noemail@nyemmys.org</author>
			<pubDate>Thu, 31 May 2007 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?20</link>
			<title>Bob Wright to Chair New Group</title>
			<description>&lt;p&gt;&lt;b&gt;&lt;i&gt;Recognizing the New Digital Generation&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;New York, N. Y. &amp;#8211; The Board of Trustees of the National Academy of
Television Arts &amp;amp; Sciences today voted unanimously&amp;nbsp; to authorize
the formation of a new peer group, the National Academy of Media Arts
&amp;amp; Sciences, open to current and new members of any of the 19
chapters of the National Television Academy. &lt;/p&gt;
&lt;p&gt;The National Academy of Media Arts &amp;amp; Sciences will be chaired by
Bob Wright, Chairman of the Board of NBC Universal and Vice Chairman of
the Board, Executive Officer and a member of the Corporate Executive
Officer of General Electric Company.&amp;nbsp; Wright, who joined NBC as
President/CEO in 1986 and served as Chairman &amp;amp; CEO of NBC Universal
from May 2004-February 2007, has had one of the longest and most
successful tenures of any media company chief executive.&amp;nbsp; During his
successful tenure at NBC, Wright extended the broadcaster into cable
and satellite, international and new media markets.&lt;/p&gt;
&lt;p&gt;&amp;#8220;This move is exactly the right move at the right time,&amp;nbsp; and we&amp;#8217;ve
got the right guy to move the National Academy in this direction &amp;#8221; said
National Academy of Television Arts &amp;amp; Sciences Chairman Herb
Granath, Chairman Emeritus, ESPN; Board member of Ron Lauder&amp;#8217;s Central
European Media (CME); and Co-Chairman of Crown Media Holdings,&lt;/p&gt;
&lt;p&gt;Wright, who appeared before the National Television Academy&amp;#8217;s Board
of Trustees today said, &amp;#8220;I am very happy to be involved with this group
(the National Academy of Media Arts &amp;amp; Sciences).&amp;nbsp; It has been clear
to me for some period of time that we have converging technologies, and
we need to figure out away to get these people involved with us. This
new group is a great way to connect with these people.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&amp;#8220;This chapter-based peer group recognizes the new digital generation
that has captivated our industry,&amp;#8221; says Peter Price, President/CEO,
National Television Academy.&amp;nbsp; &amp;#8220;Through the formation of this peer
group, we will embrace our peers in the new media and broaden our
membership to include television and media.&amp;nbsp; We are grateful for the
support and leadership Bob Wright, one of the greatest visionaries in
our industry, gives to this group.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Price noted that the new National Academy of Media Arts
&amp;amp; Sciences will focus on membership and education.&amp;nbsp; Through the
National Television Academy&amp;#8217;s existing Advanced Media Committee,
chaired by Shelly Palmer, Managing Director, Advanced Media Ventures
Group, LLC, (who will be Vice-Chairman of the new National Academy of
Media Arts &amp;amp; Sciences) education programs including online
newsletters and briefings as well as special events and special access
at industry functions, such at the Consumer Electronics Show and the
National Association of Broadcasters annual conference, will continue
to be developed.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;The new National Academy of Media Arts &amp;amp; Sciences will not
conduct any awards competitions.&amp;nbsp; The Emmy&amp;#174; Awards remain under the
authority of the National Academy of Television Arts &amp;amp; Sciences,
which last year began awarding a limited number of Emmy Awards for
broadband.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;The National Television Academy is a professional service
organization dedicated to the advancement of the arts and sciences of
television and the promotion of creative leadership for artistic,
educational and technical achievements within the television industry.
It recognizes excellence in television with the coveted Emmy&amp;#174; Awards
for News &amp;amp; Documentary, Sports, Daytime Entertainment, Daytime
Creative Arts and Entertainment, Public &amp;amp; Community Service,
Technology &amp;amp; Engineering, and Business &amp;amp; Financial Reporting.&amp;nbsp;
Beginning in 2006, The National Television Academy began recognizing
programming produced for the Internet, cellphones, and portable media
players with its new Broadband Emmy Award for Outstanding Achievement
in Content for Broadband and Portable Delivery.&amp;nbsp; Excellence in
Primetime programming and international programming is recognized by
its affiliate, the Academy of Television Arts &amp;amp; Sciences.&amp;nbsp;
&amp;nbsp;Regional Emmys are given in 19 regions across the United States.
Beyond awards, the National Television Academy has extensive
educational programs including National Student Television and its
Student Award for Excellence for outstanding journalistic work by high
school students, as well as scholarships, publications, and major
activities for both industry professionals and the viewing public.&amp;nbsp; For
more information, please visit the website at &lt;/i&gt;&lt;a linkindex=&quot;30&quot; href=&quot;http://www.emmyonline.tv/&quot;&gt;&lt;i&gt;www.emmyonline.tv&lt;/i&gt;&lt;/a&gt;&lt;/p&gt; 
&lt;br&gt;&lt;br&gt;31-May-07 4:00 PM
</description>
			<itunes:subtitle>Bob Wright to Chair New Group</itunes:subtitle>
			<itunes:summary>&lt;p&gt;&lt;b&gt;&lt;i&gt;Recognizing the New Digital Generation&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;New York, N. Y. &amp;#8211; The Board of Trustees of the National Academy of
Television Arts &amp;amp; Sciences today voted unanimously&amp;nbsp; to authorize
the formation of a new peer group, the National Academy of Media Arts
&amp;amp; Sciences, open to current and new members of any of the 19
chapters of the National Television Academy. &lt;/p&gt;
&lt;p&gt;The National Academy of Media Arts &amp;amp; Sciences will be chaired by
Bob Wright, Chairman of the Board of NBC Universal and Vice Chairman of
the Board, Executive Officer and a member of the Corporate Executive
Officer of General Electric Company.&amp;nbsp; Wright, who joined NBC as
President/CEO in 1986 and served as Chairman &amp;amp; CEO of NBC Universal
from May 2004-February 2007, has had one of the longest and most
successful tenures of any media company chief executive.&amp;nbsp; During his
successful tenure at NBC, Wright extended the broadcaster into cable
and satellite, international and new media markets.&lt;/p&gt;
&lt;p&gt;&amp;#8220;This move is exactly the right move at the right time,&amp;nbsp; and we&amp;#8217;ve
got the right guy to move the National Academy in this direction &amp;#8221; said
National Academy of Television Arts &amp;amp; Sciences Chairman Herb
Granath, Chairman Emeritus, ESPN; Board member of Ron Lauder&amp;#8217;s Central
European Media (CME); and Co-Chairman of Crown Media Holdings,&lt;/p&gt;
&lt;p&gt;Wright, who appeared before the National Television Academy&amp;#8217;s Board
of Trustees today said, &amp;#8220;I am very happy to be involved with this group
(the National Academy of Media Arts &amp;amp; Sciences).&amp;nbsp; It has been clear
to me for some period of time that we have converging technologies, and
we need to figure out away to get these people involved with us. This
new group is a great way to connect with these people.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&amp;#8220;This chapter-based peer group recognizes the new digital generation
that has captivated our industry,&amp;#8221; says Peter Price, President/CEO,
National Television Academy.&amp;nbsp; &amp;#8220;Through the formation of this peer
group, we will embrace our peers in the new media and broaden our
membership to include television and media.&amp;nbsp; We are grateful for the
support and leadership Bob Wright, one of the greatest visionaries in
our industry, gives to this group.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Price noted that the new National Academy of Media Arts
&amp;amp; Sciences will focus on membership and education.&amp;nbsp; Through the
National Television Academy&amp;#8217;s existing Advanced Media Committee,
chaired by Shelly Palmer, Managing Director, Advanced Media Ventures
Group, LLC, (who will be Vice-Chairman of the new National Academy of
Media Arts &amp;amp; Sciences) education programs including online
newsletters and briefings as well as special events and special access
at industry functions, such at the Consumer Electronics Show and the
National Association of Broadcasters annual conference, will continue
to be developed.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;The new National Academy of Media Arts &amp;amp; Sciences will not
conduct any awards competitions.&amp;nbsp; The Emmy&amp;#174; Awards remain under the
authority of the National Academy of Television Arts &amp;amp; Sciences,
which last year began awarding a limited number of Emmy Awards for
broadband.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;The National Television Academy is a professional service
organization dedicated to the advancement of the arts and sciences of
television and the promotion of creative leadership for artistic,
educational and technical achievements within the television industry.
It recognizes excellence in television with the coveted Emmy&amp;#174; Awards
for News &amp;amp; Documentary, Sports, Daytime Entertainment, Daytime
Creative Arts and Entertainment, Public &amp;amp; Community Service,
Technology &amp;amp; Engineering, and Business &amp;amp; Financial Reporting.&amp;nbsp;
Beginning in 2006, The National Television Academy began recognizing
programming produced for the Internet, cellphones, and portable media
players with its new Broadband Emmy Award for Outstanding Achievement
in Content for Broadband and Portable Delivery.&amp;nbsp; Excellence in
Primetime programming and international programming is recognized by
its affiliate, the Academy of Television Arts &amp;amp; Sciences.&amp;nbsp;
&amp;nbsp;Regional Emmys are given in 19 regions across the United States.
Beyond awards, the National Television Academy has extensive
educational programs including National Student Television and its
Student Award for Excellence for outstanding journalistic work by high
school students, as well as scholarships, publications, and major
activities for both industry professionals and the viewing public.&amp;nbsp; For
more information, please visit the website at &lt;/i&gt;&lt;a linkindex=&quot;30&quot; href=&quot;http://www.emmyonline.tv/&quot;&gt;&lt;i&gt;www.emmyonline.tv&lt;/i&gt;&lt;/a&gt;&lt;/p&gt;</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?20</guid>
			<author>noemail@nyemmys.org</author>
			<pubDate>Thu, 31 May 2007 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?14</link>
			<title>Seeing The Future Through The Past</title>
			<description>&lt;h1 style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Verdana;&quot;&gt;&lt;font size=&quot;2&quot;&gt;     &lt;span style=&quot;font-weight: 400;&quot;&gt;By &lt;a href=&quot;mailto:info@shellypalmer.com&quot;&gt;     Shelly Palmer&lt;/a&gt;&lt;/span&gt;&lt;br&gt;     &lt;/font&gt;&lt;span style=&quot;font-weight: 400;&quot;&gt;&lt;font size=&quot;2&quot;&gt;Chairman, Advanced Media      Committee&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;font face=&quot;Verdana&quot;&gt;After the Wright brothers did their &amp;ldquo;proof of      concept&amp;rdquo; flight circa 1903, the fledging airline industry hit the road in      search of development capital. They brought their proposal to America&amp;rsquo;s      richest, most successful businessmen: the railroad barons. According to      legend, they were summarily dismissed. It seems the railroad tycoons didn&amp;rsquo;t      think much of the technology and felt it would never attain critical mass.     &lt;br&gt;     &lt;br&gt;     The most popular criticism of the railroad executives opines that they were      too stupid to recognize that they were the transportation business, not the      railroad business. And, more importantly, they should have recognized the      airplane as the new new thing. &lt;br&gt;     &lt;br&gt;     Anyone who lives in the present might look at this story see it as glaringly      irrelevant. We don&amp;rsquo;t really know what the railroad guys were thinking, the      story is oversimplified hearsay. And, it took 40 plus years for the airline      industry reign supreme &amp;ndash; an evolutionary time-scale by today&amp;rsquo;s standards.      And, while we&amp;rsquo;re at it, what is the analog to the airline&amp;rsquo;s role in our      industry. Surely not the Internet &amp;ndash; that bubble has burst! Broadband?      Ridiculous! WiFi? Keep dreaming. PVRs? Unlikely. So why tell the story at      all?&lt;br&gt;     &lt;br&gt;     Like all good history lessons, if we apply context, it can help us see the      future through the past. The moral of this folktale is: know what business      you&amp;rsquo;re in. In context, 1903 was a comparatively na&amp;iuml;ve time. Things moved      slower and &lt;em&gt;post hoc, ergo propter hoc &lt;/em&gt;(A Latin phrase traditionally      interpreted as &amp;quot;After this, therefore because of this.&amp;quot;) was reasonably      assumed by almost everyone about almost everything. That was then. &lt;br&gt;     &lt;br&gt;     Today, we move in Internet time and no one with half a brain would ever be      self-important enough to posit that anything, but the most simple events,      are causal. We live in an extraordinarily random universe with some version      of chaos theory impacting every business decision &amp;ndash; no matter how small. We      also live in a world where technologies evolve decades before societal,      cultural or business rules can catch up to them. And, unlike 1903, 2003      offers dozens (even hundreds) of new technologies competing for the title of      rightful heir to television&amp;rsquo;s legacy. Who will win? What will the future      look like? Where should you spend your time and resources?&lt;br&gt;     &lt;br&gt;     While there are an infinite number of paths that the future will not take,      there are far fewer probable paths. I don&amp;rsquo;t have &amp;ldquo;the&amp;rdquo; answer, but I can      offer a platform for your personal crystal ball to rest upon. &lt;br&gt;     &lt;br&gt;     We are coming to the age of mass personalization. Current technology enables      and empowers distributors of media to touch their consumers in many      different places in many different ways. &lt;br&gt;     &lt;br&gt;     What business are you in? Certainly not television, not broadcasting, not      cable and not satellite &amp;hellip; you are a distributor of media and your future      lies in millions of personal relationships that technology will enable you      to forge over the very near term.&lt;br&gt;     &lt;br&gt;     While your sales department is busy taking orders for traditional television      advertising, trained salespeople from other distributors of media are      actually selling non-traditional properties to your clients. Your clients      don&amp;rsquo;t talk about it that much because no one property is that important.      Right now, advanced media must be aggregated to be meaningful. There are      few, if any, business rules for buying and selling, but they will evolve as      needed. Advanced media is a dispassionate, self-regulating system.&lt;br&gt;     &lt;br&gt;     Can you see the future through the past? It&amp;rsquo;s like a hundred little      fledgling airline industries competing for critical mass. With the scatter      market in the basement and an Olympic and election year coming, who has time      to think about this? You must! Because like all good viral entities, by the      time this one hits your radar, it will be too late.&lt;br&gt;     &lt;br&gt;     &lt;br&gt;     -- Shelly Palmer is president of Palmer Advanced Media, a deep-knowledge      consulting practice specializing in transition advisement for brand      management and media companies.&lt;/font&gt;&lt;/p&gt; 
&lt;br&gt;&lt;br&gt;31-Aug-06 4:00 PM
</description>
			<itunes:subtitle>Seeing The Future Through The Past</itunes:subtitle>
			<itunes:summary>&lt;h1 style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Verdana;&quot;&gt;&lt;font size=&quot;2&quot;&gt;     &lt;span style=&quot;font-weight: 400;&quot;&gt;By &lt;a href=&quot;mailto:info@shellypalmer.com&quot;&gt;     Shelly Palmer&lt;/a&gt;&lt;/span&gt;&lt;br&gt;     &lt;/font&gt;&lt;span style=&quot;font-weight: 400;&quot;&gt;&lt;font size=&quot;2&quot;&gt;Chairman, Advanced Media      Committee&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;font face=&quot;Verdana&quot;&gt;After the Wright brothers did their &amp;ldquo;proof of      concept&amp;rdquo; flight circa 1903, the fledging airline industry hit the road in      search of development capital. They brought their proposal to America&amp;rsquo;s      richest, most successful businessmen: the railroad barons. According to      legend, they were summarily dismissed. It seems the railroad tycoons didn&amp;rsquo;t      think much of the technology and felt it would never attain critical mass.     &lt;br&gt;     &lt;br&gt;     The most popular criticism of the railroad executives opines that they were      too stupid to recognize that they were the transportation business, not the      railroad business. And, more importantly, they should have recognized the      airplane as the new new thing. &lt;br&gt;     &lt;br&gt;     Anyone who lives in the present might look at this story see it as glaringly      irrelevant. We don&amp;rsquo;t really know what the railroad guys were thinking, the      story is oversimplified hearsay. And, it took 40 plus years for the airline      industry reign supreme &amp;ndash; an evolutionary time-scale by today&amp;rsquo;s standards.      And, while we&amp;rsquo;re at it, what is the analog to the airline&amp;rsquo;s role in our      industry. Surely not the Internet &amp;ndash; that bubble has burst! Broadband?      Ridiculous! WiFi? Keep dreaming. PVRs? Unlikely. So why tell the story at      all?&lt;br&gt;     &lt;br&gt;     Like all good history lessons, if we apply context, it can help us see the      future through the past. The moral of this folktale is: know what business      you&amp;rsquo;re in. In context, 1903 was a comparatively na&amp;iuml;ve time. Things moved      slower and &lt;em&gt;post hoc, ergo propter hoc &lt;/em&gt;(A Latin phrase traditionally      interpreted as &amp;quot;After this, therefore because of this.&amp;quot;) was reasonably      assumed by almost everyone about almost everything. That was then. &lt;br&gt;     &lt;br&gt;     Today, we move in Internet time and no one with half a brain would ever be      self-important enough to posit that anything, but the most simple events,      are causal. We live in an extraordinarily random universe with some version      of chaos theory impacting every business decision &amp;ndash; no matter how small. We      also live in a world where technologies evolve decades before societal,      cultural or business rules can catch up to them. And, unlike 1903, 2003      offers dozens (even hundreds) of new technologies competing for the title of      rightful heir to television&amp;rsquo;s legacy. Who will win? What will the future      look like? Where should you spend your time and resources?&lt;br&gt;     &lt;br&gt;     While there are an infinite number of paths that the future will not take,      there are far fewer probable paths. I don&amp;rsquo;t have &amp;ldquo;the&amp;rdquo; answer, but I can      offer a platform for your personal crystal ball to rest upon. &lt;br&gt;     &lt;br&gt;     We are coming to the age of mass personalization. Current technology enables      and empowers distributors of media to touch their consumers in many      different places in many different ways. &lt;br&gt;     &lt;br&gt;     What business are you in? Certainly not television, not broadcasting, not      cable and not satellite &amp;hellip; you are a distributor of media and your future      lies in millions of personal relationships that technology will enable you      to forge over the very near term.&lt;br&gt;     &lt;br&gt;     While your sales department is busy taking orders for traditional television      advertising, trained salespeople from other distributors of media are      actually selling non-traditional properties to your clients. Your clients      don&amp;rsquo;t talk about it that much because no one property is that important.      Right now, advanced media must be aggregated to be meaningful. There are      few, if any, business rules for buying and selling, but they will evolve as      needed. Advanced media is a dispassionate, self-regulating system.&lt;br&gt;     &lt;br&gt;     Can you see the future through the past? It&amp;rsquo;s like a hundred little      fledgling airline industries competing for critical mass. With the scatter      market in the basement and an Olympic and election year coming, who has time      to think about this? You must! Because like all good viral entities, by the      time this one hits your radar, it will be too late.&lt;br&gt;     &lt;br&gt;     &lt;br&gt;     -- Shelly Palmer is president of Palmer Advanced Media, a deep-knowledge      consulting practice specializing in transition advisement for brand      management and media companies.&lt;/font&gt;&lt;/p&gt;</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?14</guid>
			<pubDate>Thu, 31 Aug 2006 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?13</link>
			<title>Scared of TiVo and Cable &#8230;Kick their butts with Virtual VOD!</title>
			<description>&lt;h1 style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Verdana;&quot;&gt;&lt;font size=&quot;2&quot;&gt;     &lt;span style=&quot;font-weight: 400;&quot;&gt;By &lt;a href=&quot;mailto:info@shellypalmer.com&quot;&gt;     Shelly Palmer&lt;/a&gt;&lt;/span&gt;&lt;br&gt;     &lt;/font&gt;&lt;span style=&quot;font-weight: 400;&quot;&gt;&lt;font size=&quot;2&quot;&gt;Chairman, Advanced      Media Committee&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;font face=&quot;Verdana&quot;&gt;The government granted you a bunch of digital      bandwidth. Pundits are saying that HD is the future, and you should think      seriously about using most of your big pipe for HD. It&amp;rsquo;s sort of a Field of      Dreams argument. &amp;ldquo;If you build it, they will come.&amp;rdquo; Perhaps. Some, less      popular engineers, have been advocating the multiplexing of a few dozen      digital SD channels instead &amp;hellip; maybe they&amp;rsquo;re on to something?&lt;br&gt;     &lt;br&gt;     Let&amp;rsquo;s do a thought experiment about brand and audience building. First,      we&amp;rsquo;ll multiplex your new digital signal into a bunch of SD channels. (That      will take some hardware, but not much.) Then we&amp;rsquo;ll need programming assets      that are brand relevant. And last, but not least, we&amp;rsquo;ll need a value      proposition for the viewers. Wrap it up in some clever marketing and you      have powerful a new product: Virtual VOD.&lt;br&gt;     &lt;br&gt;     Sadly, there are a few &amp;ldquo;real world&amp;rdquo; obstacles to this plan. Not the least of      which are retransmission rules, guild payments, music royalties &amp;hellip; the list      is practically endless. Or is it?&lt;br&gt;     &lt;br&gt;     What if you already owned programming assets that viewers wanted and needed      in a time sensitive way. What if those assets were already responsible for a      huge portion of your revenue stream? What if you could program those assets,      let&amp;rsquo;s say, every half hour overlapping on different virtual SD cha